This uber cool, editorial shoot can be found on the digital Puss Puss magazine. Dirty Fabulous vintage bags, gloves and dresses featured in amongst designer pieces. Trรจs delighted! Photography: Antonia Zharko Styling: Evie B Styling Location: Paris
JLo has been showing of some sophisticated threads lately. She's probably known most for her bling-tastic, figure revealing gowns and she's one smokin' hot mama so why the hell not!
Bu you know us, we're fans of ladylike glamour.
Ms. Lopez recently stepped out in this peach number and we just love it!
Our original vintage 1960's hostess gown is an absolute ringer in terms of colour and has some unique tailoring features, something it share's with JLo's mid length dress.
Wear it with some cat eye sunglasses, big hold-all bag and pastel stilletos.
You're now ready for that fabulous summer soiree you have coming up!
If you’re a fan of vintage clothing, you’re probably familiar with Dublin store Dirty Fabulous.
If not, Dirty Fabulous specialises in bridal and occasionwear from the 1920s to the 1960s, and the hand-selected collection spans over 100 years.
Owned by sisters Kathy Sherry and Caroline Quinn, the store on Wicklow Street is a sartorial mecca for women who are passionate about clothes that have a history, and that you can’t find anywhere else on the high street.
We caught up with Kathy and Caroline to find out more.
Caroline Quinn
Did College/further education get you where you are today?
Kathy: My chosen career from college was so far removed from my current profession that they aren’t even in the same orbit!
Caroline: I think everything you learn adds to your personal arsenal of knowledge and experience. I have been working since I was 17 and have had every imaginable job and I learned something new in each one.
Did you fall into your profession by accident or did you always have a career path set out?
Kathy: I see it as a little bit of an accident and a little bit of destiny! I had a stroke nearly eleven years ago which meant I had to step back from my social care profession. After I recovered I began working with Caroline in a beautiful interiors boutique. We realised how well we worked together (even as sisters) and planned to channel our adoration for all things vintage into a new career for ourselves. When the planning began for Dirty Fabulous it was full steam ahead and took years of preparation and dedication from both of us.
Kathy Sherry
Have you always wanted to work in the fashion industry?
Kathy: Fashion has always been integral to my life, I grew up within a family of seamstresses, tailors and costumers that stretched back over generations, but I never planned to work in fashion myself.
Caroline: The simple answer would be no, I’ve always loved fashion as an expression of my creative spirit. I have always wanted to be surrounded by beautiful fabrics and textures but I also had notions of working in a dusty library surrounded by faded leather bound books with gilt edges and beautiful imagery.
The store is filled with carefully curated vintage finds
If you weren’t doing this, what would you like to do?
Kathy: I do the blogging for Dirty Fabulous so I suppose I could probably see myself focusing on a lifestyle blog and developing my photography skills for this. I have two small boys so whatever work I took on would have to have the same flexibility that Dirty Fabulous allows to fit around them.
Caroline: I can’t imagine not doing this. I love what I do so much I can’t imagine anything being as fulfilling and enjoyable as being one half of Dirty Fabulous. I did apply to be a train driver at one stage, so maybe I’d follow up on that, I do like a jaunty hat!
The sisters love working together in their Dublin store
What’s the biggest misconception about what you do?
Kathy: We’ve been able to establish our business to a great point and I think people think we’ve a big team behind us but really it’s only myself and Caroline, and whatever family members we can rope in to help at different times. Dirty Fabulous is our baby, and as yet we’ve been unable to relinquish control.
Caroline: That there are staff and I spend my day dressing up and playing. We work about 60 hours a week and never switch off. It’s totally integrated with our lives and family. I wouldn’t have it any other way.
Most pieces are from the period between 1920 and 1960
Where do you see yourself in 5 years?
Kathy: We’re currently developing our own vintage inspired bridal collection which we’ll be launching soon. Hopefully this will become a major factor of Dirty Fabulous and will lead us into having an online boutique.
Caroline: I would like our own range to be well established, with new lines being added to each year. Maybe a staff member so we can take a holiday!
Vintage fashion
Where do you see the Irish Fashion Industry going in the future?
Kathy: I think we’re hugely lucky to be within such a dynamic fashion industry. I think Ireland is on the cusp of great things artistically, and within the fashion world. Our independent boutiques are world class and this shouldn’t be downplayed.
Caroline: There are a lot of great designers in Ireland and I think if there was more support we could have a really strong presence internationally. It’s hard to get started and the ridiculous rent and rates to pay in Dublin in particular make it impossible.
We are a small nation so it’s tough to be independent and survive in the big bad world. If we nurture the talent we have and look at the long term we could have a great thriving industry without losing a lot of talent abroad.
The boutique also specialises in bridalwear
What advise would you give to someone who wants to break into your field?
Kathy: Listen to every professional you encounter. Take note of what they are saying, they have an abundance of experience that you’ve yet to acquire. You can have an amazing ability and flair with style and fashion but without business savvy you won’t survive long. It can be glamourous, it will be fabulous, but it will take more work than you could ever have imagined!
Caroline: Know your product. Know as much about every aspect of it as you can possibly learn. There is so much more to running a business like ours than you might expect. Expect to never have any time off again and be happy for it!
What’s the best advise you’ve ever been given?
Caroline: Start small and don’t expect to break even for at least 5 years!
The accessories in particular are worth checking out
Who or what inspires you?
Kathy: Our Mum who passed away a few years ago was one of our biggest influences and we always work with her in mind.
The innovators of the past influence us hugely but even though we’re vintage mavericks we’ll still keep an eye on current fashion and take inspiration from the modern world.
Caroline: Mum, I know she is cheering us on and is ever proud of us.
I was inspired by our recent trip to France to seek out some chic, vintage, photography. When I came across this one it pretty much blew me away! It's from a 1963 edition of Harper's Bazaar which was shot by Melvin Sokolsky. The model was Simone d'Aillencourt and the atmospheric location was of course, Paris.
This "Bubble" series is so striking an unusual. Can you imagine the excitement and curiosity it drew from passing Parisians in the early 60's.
Sokolsky had the bubble constructed to be reminiscent of a Faberge egg and a telescopic crane hung the bubble in various locations throughout the city. It must have been a huge production at the time. I'm sure it was seen as extremely elaborate and ambitious even in the heady and bohemian days of 1960's Paris!
Charles James? It can't be...surely it's Dior? I bet you're thinking of this iconic image instead:
It was taken by Loomis Dean in 1957 of Dior's collection whereas the previous picture of Charles James gowns was shot by the great Cecil Beaton in 1948, nearly 10 years earlier. Like Dior, Charles James was a master couturier. Born in England but after moving to New York at an early stage, he was as far as anyone is concerned, an American.
I was already a huge fan of James but after doing a bit more research into the designer and his work I'm just astounded by his genius. If his dresses sauntered down the catwalk today they'd still be considered cutting edge. It's easy to see his influence in modern designers such as the late Alexander McQueen and Zac Posen who have both focused of the architecture of a gown.
It was Charles James vision to enhance the female shape. To create dresses that gave his clients better, more pronounced figures. He achieved this through the use of contrasting fabrics, complicated pleats and seams.
It's astounding that this outfit is from the 1940's, it's just so fashion forward. I can just imagine someone like Emma Stone rocking up to the red carpet in this.
This top, designed by Charles in the 1950's has touches of sports luxe that's featured on every hot trend list . I adore this, it would make a fabulous addition to my wardrobe!!!
If you've ever worn a puffa jacket, strapless dress or wrap dress then you are wearing a piece of fashion innovation that stemmed from Charles's designs. The dress pictured above is known as the "Taxi dress" and it's construction meant that it was so easy to get on and off that a women could put it on in a taxi!
The construction of his gowns are a thing of beauty in themselves.
Charles James considered himself an artist who's medium was fabric as opposed to a designer. His love of wearable sculpture was developed when he began work as a milliner. His ability to mold head wear into fantastical shapes enabled him to transition into women's clothing.
Wouldn't this pleated 1940's gown have made a beautiful wedding dress!
ARGHHH to-die-for!!!!
Any celebrity wearing this dress would surely have won best dressed!
This is the Clover Dress and it's formation meant that the hem never touched the ground but rather sashayed as the wearer walked.
Imagine the thrill of seeing these hot pink tulle layers peaking out as you move...utterly gorgeous!
The "Butterfly" was another stunning work of art created by Charles James. I'm not sure how this lady sat down (the dress weighed about 14lbs) but she certainly looked fabulous standing!!!
Another dreamy 1950's dress, this time in sorbet silks.
Charles James's finest work spanned from the 1930's to the 1950's. There are few true geniuses in the fashion world, they can be described with other adjectives such as pioneers and revolutionists. The Metropolitan Museum in New York honoured him last year with an exhibition in the newly renovated costume institute. The Met gala ball also encouraged patrons to wear gowns inspired by Charles James's creations. Oooh how I would have loved to have attended both of those. You can see so many more of James work on the Mets archive, the images above are just a tiny selection.
The Met also have some fantastic video's charting the exhibition and his career. Sit back and relax and learn about a true fashion master...I dare you not to fall in love with his work!
Dirty Fabulous is the only place to go to for devine, one of a kind vintage bridal and occasion wear.
Visit us in our city centre showroom and enjoy a glamorous shopping experience!
We will take the chore out of finding that perfect elusive dress. We have an extensive collection of vintage wedding gowns and party dresses from the 1920s to the 1970's and beyond! Dirty Fabulous also has a range of bespoke bird cage veils and headpieces.
Just phone or email now for an appointment, go on, you know you want to!!!