Showing posts with label vintage designers. Show all posts
Showing posts with label vintage designers. Show all posts

Monday, 15 August 2016

Spotlight on Vintage: Vendome Tassle Brooch


This has to be one of the more unusual brooches we've ever had. The shape and colouring make it super unique and wait until you see this baby's sparkle in person... it's dazzling!

It's quite a big piece at 60mm wide with a 64mm drop and would look stunning on a dress, scarf or jumper. It's a real statememt piece.

The Vendome label was a branch of the well known vintage jewellery brand; Coro. It was in use from 1944 to 1977 and marked a superior and more luxurious collection of jewels.
Vendome used the best European rhinestones and faceted crytals, intricate workmanship and creative designs to produce high quality and highly sought pieces.
The Vendome label continues to grown in popularity among vintage collectors who appreciate the artistic beauty of this label.


1950's advert for Vendome
This advert reads:
"Vendome...the jewelry with such a magnificent play of colour, it rivals the rich opulent look of centuries gone by. Vendome... with thousands of lights that could really be emeralds, sapphire, topaz, pearl, Vendome... so beautiful it might have been handset by master jewelers in precious stones. Vendome... the fire, the sparkle, beautifully blended stones that bow to the elegance of fashion today. Vendome, the costume jewelry that is creating a place for itself far out of the ordinary, completely into the limelight"
Wowzers... I'd have been hooked!


1950's advert for Vendome Jewels

Our stunning 1960's Vendome tassel brooch is available to buy now on Open For Vintage

Thursday, 26 February 2015

Jean Patou

On March 14th, Dirty Fabulous will be dancing our way to Film Fatale's Prohibition Party. In the run up we'll be delving into the 1920's and 30's a little more.
Our first little look back to this era introduces us to this man:
Jean Patou

Patou was a french designer who, after his initial launch was halted by World War I, returned in the 1920's with a bang. He created his dresses with both Parisian and American women in mind and recognised the potential that couture fashion, as an industry held. In the mid 20's both Coco Chanel (who we are all familiar with) and Jean Patou introduced hugely popular sportswear lines. It was a revolutionary move from these two different design houses. Patou focused on finding swimwear fabrics that wouldn't shrink and innovating luxury leisurewear.

Despite not being as well known for his flapper dresses, you can see they were utterly gorgeous:









Courtesy of The Librarian Tells All

It was mostly due to Patou's designs in 1929 that the flapper silhouette became "old news". House of Patou introduced gowns which returned the waist to it's natural, higher point and dropped the hemlines to the floor. It was a more romantic look which was once again embraced by high society and the fashion elite. 





Images from Pinterest

House of Patou also created some of the most world famous fragrances and perfumes, including Jean Patou's, Joy. 
Unfortunately, Patou died at an early age in 1936 and his sister and her husband stepped in to carry on his creative endeavours. The dresses from this period were still magnificent and the Couture house continued it's success. Many of today's most famous designers spent a spell with House Of Patou including Marc Bohan, Karl Lagerfeld, Jean Paul Gaultier and Christian LeCroix. 







This hat is hilarious and fabulous in equal measures!

There have been so many brilliant and talented fashion designers over the past 100 years. Hopefully you've enjoyed your introduction to one more! 

Thursday, 16 June 2011

Vintage Designers at Dirty Fabulous

Bonwit Teller



Bonwit Teller was a high quality ladies apparel store, founded by Paul J. Bonwit(1862-1939).
In the 1920s and 1930s they carried French models, including duplicates of Lanvin, Patou, Vionnet, and Maggy Rouff, custom mades, and American-made garments including designs by Nettie Rosenstein. They were noted for the quality of their merchandise and the salaries they paid.

Henri Bendel



Henri Bendel (1868-1936) started as a milliner. He opened his New York City hat shop in 1896. By the 1910s, he was producing high quality custom made clothing, and he also was a major importer of French designs. He was one of the first Americans to buy at Chanel, and he imported and copied many of the French couturiers.
In 1931, the store opened a ready-to-wear (pret-a-porter) department, although they continued to be known for their top-of-the-line custom work. They continued to import French fashion through the Great Depression, but were forced to stop the practice with the outbreak of WWII. By this time, Henri Bendel had died, but his namesake store remained a major force in the New York fashion world. In 1946, the store was one of the first to view and buy from the new French collections.

Malcom Starr



Malcolm Starr made a popular line of evening dresses from the early 1960s through the 1970s. A Malcolm Starr dress was commonly a sculptural and simple shift dress which was elaborately beaded and sequined. These are always striking numbers!

Rappi



Rappi was actually a talented Viennese-born woman named Syd Rappaport, who made a name for herself with glamourous formal wear which was much beloved by debutantes with a particular eye for style. Although there was no business connection with Will Steinman, they were certainly among that small group of formalwear firms which controlled the higher-end of the business (other firms in that august group included Lee Claire, Ceil Chapman, Camco Evening Fashions, Malcolm Starr, and Modern Couture).

Lilli Diamond


Lilli Diamond, a Californian designer, started her dress-making business in 1951. She was based in Los Angeles.

Eisenberg


Eisenberg started in 1914 as a wholesaler of ladies’ clothing, but is known today solely as a manufacturer of high quality rhinestone jewelry. 
Eisenberg often included costume jewelry on their dresses. As many of these pieces were stolen off the racks, Eisenberg realized there was a market, and launched its famous jewelry line in the 1930s.
By the 1940s, the line was carried in most American cities. Eisenberg continued to use the narrow 1940s line and typical 1940s draping once the New Look arrived. Eisenburg stopped making clothing in 1958. The jewelry continues to be made today. Various marks include Eisenberg Original and Eisenberg Ice.
Dior
Dior

Dior

Christian Dior (1905 – 1958) was one of the most influential designers of the 20th century. From 1941-1946, Dior worked at Lucien Lelong. While there he attracted the attention of textile maker Marcel Boussac, who became Dior’s financial backer.
In the spring of 1947 Dior showed his first major collection, the “Corolle” line, which came to be known as the “New Look”. The “New Look” was made up of long, full skirts and a nipped-in waist that called for the use of a corset. Dior continued to be a major force in the fashion world in the 1950s, with a new silhouette each season, including the Princess line of 1951, the “H” line of 1954, and the “A” and “Y” lines of 1955.


Hattie Carnegie


Hattie Carnegie began designing as a milliner to huge success. In 1919 Hattie Carnegie, Inc. was born. This was also the year of her first buying trip to Paris. She bought French Couture dresses to take back to New York to both sell, and to use to make adaptations.
Until 1928, all the dresses at Hattie Carnegie were made to order, but in that year she started her first ready-to-wear line with Norman Norell as the designer. By this time, Hattie’s business had grown to be the size of a small department store.
She also began selling her ready-to-wear dresses, hats and accessories in stores around the country in the late 1930s. Her clothes were particularly popular in California, and many Hollywood stars were known to wear Carnegie’s clothes. This helped spread her reputation and helped establish her as a taste-maker across the country.
Hattie Carnegie is very often associated with elegance and high fashion, and even her ready-to-wear and more casual clothing always had a touch of the elegant. Carnegie’s fashion philosophy is often summed up as the woman should wear the clothes, not the clothes wear the woman.

Suzy Perette


Suzy Perette was not an actual person, but the name of a dress manufacturing company that made affordable versions of Parisian designs in the 1950s. The Suzy Perette silhouette of cinched waist and full skirt were extremely popular and a quality interpretation of Dior’s famous “New Look.”

Images and label resources courtesy of: